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40 x 40 in, 102 x 102 cm
Limited variant edition of 20



Work completed November 2002.

Resolution of rendering: 6,000 by 6,000 pixels
Print size, minimum: 18 by 18 inches (~45.72 by 45.72 centimeters)
Print size, maximum: 40 by 40 inches (~101.6 by 101.6 centimeters)

Dimensions are for single panel prints; larger sizes (up to hundreds of square feet) are possible using other printing techniques. Please contact the studio for more information. All linear dimensions are given in the order of height, width and depth.


Limited variant edition prints (edition of 20)

Please contact the studio for more information regarding the availability and purchasing of works.

One- and two-person exhibitions

Brevard Museum of Art and Science; One-person exhibition; Melbourne, Florida; 2003.

Museum of Science and Industry; One-person exhibition; Tampa, Florida; 2004.

Pinnacle Gallery at Savannah College of Art and Design; One-person exhibition; Savannah, Georgia; 2005.

City Gallery at Chastain Art Center; Atlanta, Georgia; 2007.

Savannah Film Festival at Savannah College of Art and Design’s River Club; “Kenneth A. Huff: Organic Constructions, an installation of prints and time-based works”; Savannah, Georgia; 2008.

Telfair Museum of Art’s Jepson Center for the Arts; “Kenneth A. Huff: Organic Constructions”; Savannah, Georgia; January–February 2010.

Group exhibitions

“Leading the Edge” exhibition, as part of the New York Digital Salon’s installation, “Images and Installations”; First Beijing International New Media Arts Exhibition and Symposium at Beijing Millennium Museum (Curated); Beijing, China; 2004.

“Digital Summer”; Van Brunt Gallery (Curated); Beacon, New York; 2005.

“Capturing Time and Space”; Axiom Gallery (Curated); Cambridge, Massachusetts; 2006.


Wands, Bruce (New York Digital Salon); “Images and Installations”, a DVD prepared for the First Beijing International New Media Arts Exhibition and Symposium; May 2004.

Weishar, Peter; CGI: The Art of the 3D Computer-Generated Image; November 2004 (Abrams). The work appears on page 186.

Wands, Bruce; Art of the Digital Age; June 2006. Work appears as the frontispiece.

As of 27 March 2010

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