Here is a photograph of one of my print works, 2000.16b, showing in the Ars Electronica Center’s Deep Space gallery. There are people standing on my artwork and I do not mind in the least.

deep space II (aec). Originally uploaded to flickr by magrolino.

There is another photo here of 2005.1.

The Telfair Museum (Savannah, Georgia) is holding their annual art and technology event, now a festival, in their Jepson Center for the Arts. The PULSE: Art and Technology Festival will run 21–31 January 2009. One of my prints, 2003.1a, and a time-based work, 2007.2a, are being shown and I will be presenting a lecture on my work during the event.

Here is 2003.1a and a detail from that print work:

2003.1a, limited variant edition print, 2003, Kenneth A. Huff.

Detail from 2003.1a, limited variant edition print, 2003, Kenneth A. Huff.

And here are some still frames from the animated work, 2007.2a (you can see short excerpts from the piece here and here):

Still frame from 2007.2a, seamlessly-looping high-definition animation, 12 minutes, 2007, Kenneth A. Huff.

Still frame from 2007.2a, seamlessly-looping high-definition animation, 12 minutes, 2007, Kenneth A. Huff.

Still frame from 2007.2a, seamlessly-looping high-definition animation, 12 minutes, 2007, Kenneth A. Huff.

The lecture will be at 12:30 p.m. on Monday, 26 January 2009 in the Jepson Center Auditorium. I will be presenting my body of work, focusing on the inspiration and ideas behind the work, with particular emphasis on the two series of works represented by the two pieces above.

While the festival ends on 31 January, the museum currently is scheduled to continue showing my print and animation throughout 2009.

[Personal aside: I am particularly excited to see tonight’s performance by Ben Neill and LEMUR (League of Electronic Musical Robots).]

I am very happy to announce that my work is now being shown at the Ars Electronica Center in Linz, Austria. Twenty of my still images and two site-specific time-based works are being shown in the Center’s Deep Space projection space. The showing is currently slated to last at least through 2009.

The Ars Electronica center is one of the longest-established centers for new media art, celebrating its thirtieth anniversary this year. On 2 January 2009, they celebrated the grand opening of a new building and the start of Linz’s year as the European Union Cultural Capital.

In the Center’s new building, Deep Space is a dedicated projection gallery with the capacity to show 4K (3840 by 2160 pixels), stereoscopic, 16 meter by 9 meter projections simultaneously on the wall and floor! With my still images, visitors will be able to zoom in on the full detail of the works, allowing them to explore the works in a way that until now was only possible in my studio. Very exciting.

Through fortuitous circumstance, I was in Linz for a site visit on the day the Deep Space projectors were turned on for the first time and my pieces were the first images to be projected in the space.

Here I am standing in front of a portion of EPF:2003:V:B:5::383(25) with a silly happy grin.

Here is my partner, Sean, acting as human scale in the space and standing in front of a projection of my time-based work, 2007.3. The horizontal red laser line is for projector alignment. Four projectors are being used for the wall and another four for the floor (one of the projectors shut down with in a few minutes of starting up). The bright horizontal and vertical bands are the projector overlaps that had yet to be blended away in the installation. (All of this is from early December, when the new building still was very-much-under-construction.)

In addition to the still images being shown, I prepared site-specific versions of 2006.7 and 2007.3 to be shown in the space. The two time-based works were recreated to take full advantage of the 4K cinematic projectors. Below are reduced stills from 2006.7 (Deep Space) and 2007.3 (Deep Space).

Additional events incorporating my work are being planned throughout the year, including during the Center’s annual Ars Electronica Festival, 3–8 September 2009. I will post details here and on my Events page as soon as they are available.

Links:

Kenneth A. Huff: Selections from Ôr’ganik Constructions in Deep Space

Deep Space

Ars Electronica Center

Ars Electronica Festival

Here’s a happy thing to discover:

The book is Processing: A Programming Handbook for Visual Designers and Artists by Casey Reas and Ben Fry. The fun part is that I did not know that I was mentioned in the book. I had purchased it as reference for a programming class I teach and stumbled upon my name weeks later.

I am a long-time fan of both Mr. Reas’s and Mr. Fry’s work. Their efforts to develop the Processing programming language and their individual works are inspiring (example and example). In the book, Mr. Reas writes a bit about my print-based work and the inspiration behind it.

In other book news, Aesthetic Computing has gone paperback:

I created the cover artwork for the book and wrote a chapter about my Encoding with Prime Factors series. (There is some information on the series and process here and some example works are shown here.)

When in New York recently, I also noticed on the bookshelves that Bruce Wand’s Art in the Digital Age is available in softcover. A number of my pieces appear in the book.

In unrelated reference photography, here are a couple of details from buckeye seeds and seed pods:

Back to preparations for Saturday’s installation…

A few week ago, I was asked to present my work at the opening night of the 2008 Savannah Film Festival. Seen here is the installation right before the place filled up with people.

There are six screens, in L-shaped pairs (two screens are obscured from view). The time-based works shown, from left to right, are 2007.3, 2007.6.3 and 2007.4. (These all are very recent works that have not made it onto my web site.) Also on display are fourteen print works:

Shown here are 2001.1, 2003.1a, 2003.2d, 2004.2c and 2000.16b.

As an overarching theme for much of my time-based work, I have been working with the ancient elements. Many ancient philosophies looked to a small group of archetypal elements as a framework for understanding the physical world, explaining patterns and substance in nature. Currently, I am working with the four ancient elements common to Buddhist, Greek and Hindu philosophies — earth, air, fire and water. Here are sample frames from the fire time-based works shown last night:

2007.3, animation, seamless loop; 2007; 1 hour, 20 minutes, high definition (1080 x 1920, 30 fps).

2007.6.3, animation, seamless loop (work in progress); 2007; 2 channels; 1 minute, 15 seconds each; high definition (1080 x 1920, 30 fps).

2007.4, animation, seamless loop (work in progress); 2007; 7 minutes, high definition (1080 x 1920, 30 fps).

The installation also will be in place for the closing party on Saturday, 1 November. Just to keep it interesting, I will be switching out all of the projections…